#villainous

//The Queen (OFF) , Lobco (Wadanohara Great Blue Sea) , Miss Heed (Villainous) , Mercy (Overwatch) D.Va (Overwatch) , Zoga (Captain Yajima) , Lust (Full Metal Alchemist) , Makoto Makimura (Yakuza 0) , Chell (Portal) , Alice Angel (Bendy and the Ink Machine) , Miss Pauling (Team Fortress 2) , Fluttershy (My Little Pony) , Vivi (Mystery Skulls) , Rachel (Law of Talos) , Lord Dominator (Wander Over Wonder) , Washimi (Aggretsuko) , Charlie Magne (Hazbin Hotel) , Willow (Don't Starve) , Abigail (Don't Starve) , Valentine (Skullgirls) , Faye Valentine (Cowboy Bebop) , Giffany (Gravity Falls) , Thirteen (Scissor Seven) , Kaede Akamatsu (Danganronpa V3) , Sayori (Doki Doki Literature Club) , Monika (Doki Doki Literature Club) , Marija (Muse Dash) , Hu Tao (Genshin Impact) , Jinx (Teen Titans) , Mary (Ib) , Kyoko Kirigiri (Danganronpa) , Ashi (Samurai Jack) , Jenny Wakeman (My life as a teenage robot) , Marceline (Adventure Time) , Lapis Lazuli (Steven Universe) , Clementine (The Walking Dead 'Telltale Games') , Daenerys Targaryen (Game of Thrones) , Isabelle (Animal Crossing) , Maka Albarn (Soul Eater) , Amity (The Owl House) , Victoria (Metal Family) , Lif (Metal Family) , Mavis (Hotel Transylvania) , GOROMI (YAKUZA- JK) , Yayoi Dojima (Yakuza) , Lady (Devil May Cry) , Cortana (Halo) . . .

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I know I have more, but my head really doesn't work right now to remember them XD

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Probably an Anti-something? More on the neutral side.

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I mean the general idea is that I want to remain constantly neutral in spite of everything and If I stand between the happiness of someone else, will generally carry my own away for their sake if that's what needs to be done even if that's not necessarily what they want... however I guess now I think differently having met someone that I literally want to fight the world for and with... I can't just sit still and let it be fine, nature does not seem to will it this time around and rightfully so.

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So I guess, in general, I don't want to be either, seems like a pretty self judging idea either way to me to decide if my own actions are heroic or villainous but by being in that spot I guess I'm both and neither indeed. Kind of like this guy. Minus the whole desire to kill endless demons in eternal battle to create a strong bond with his swor.... actually they may simply be used as a metaphor to fight adversity and create a stronger bond with my ''sword'' ...hmm never mind, yes, like him all the way.

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-Wolfie

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Reason why there was a drought in answers was to pick the perfect rivals for this;
-Strong Bad vs Heavy Weapons Guy (ARL): Both were poker buddies in Poker Night at the Inventory, with Strong Bad being called "Tiny Heavy". Perhaps the two battle as the Heavy wishes to spar with the tiny wrestleman.
-John Egbert vs Nicolas Cage (Lawl): John's favorite actor, specifically in Con Air with his fake southern accent. Lawl Cage embraces his craziness with shouting and bear suits- something that'd throw John off guard. Jade Harley (Nova) is also an obvious pick.
-Edd vs Toon Reitanna (LLC): Both are exaggerated animated personas of YouTube artists.
-Markiplier vs Game Grumps (X): The two channels are already friendly with each other yes, but a battle to decide who is superior can be had.
-Mama Umbridge vs Leonidas (Lawl): While he's not a rowdy kid, he's one of the manliest Lawl characters, and the Spartans were very brutal and orderly. Umbridge would definitely take the challenge of showing the power of a WOMAN.
-Stephen Quire vs Angry German Kid (X): Two classic viral anger-induced videos clashing- quite the popular rivalry as well.
-Watts & Rosalene vs Madotsuki (Lawl): Watts and Rosalene specialize in traversing through the memories of people. Madotsuki's past is a mystery, but it is theorized to have been traumatic when judging her bizarre dreams. Mado would definitely be hyper defensive against those with the power to traverse through memories.
-Homestar vs Toon Sonic (ARL) Two of the fastest characters, a friendly rivalry where the two would try to race around each other.
-Karkat Vantas vs Peridot (LOTD/X): Both are angry screaming aliens who are fan favorites- at one point both of them have made a shipping chart of some kind. Plus, these personalities clashing would be amusing. Against Terezi (LLC) also works.
-Tom vs asdfguy (Nova): The voice of Tomska vs his creation. Plus two random dudes.
-Matt vs Toon Guybrush (Nova) Skap mentioned it in his ask, Matt and Guybrush both sound somewhat similar, two bumbling gingers with bad ideas.
-Frisk vs Flowey (Liquid Crystal): Frisk already thwarted Flowey's devious plans in different universes and resets, this time there's one more battle they must have.
-Dan Backslide vs Robbie Rotten (X): A hammy villain meets a hammy villain. Robbie is lazy while Dan is proactive (screaming in public that he'll steal a car), the two can definitely clash between villainous ideals.
-Viola vs Aya Drevis (Lawl): Viola only lives with her father while Aya's father was... well, Mad. Both had to traverse a familiar mansion while avoiding death at every turn. And both aren't entirely innocent...
-Psycho Dad vs Hank Hill (Lawl): Both are stern dads who like yard work... but Psycho Dad is a reflection to Hank on what would happen if his anger consumed him.

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@mastershadow5 @AnnaTestarossa @FinnMurtons @JahenThePsico @Love_Byron @Sunshines_Rol @RedHairFanalis @SpanishCreepypasta @Aramis_Blair @BacteryDangerous @TheWitchersLovers @DreamOfWonderland_ @NoctemDiaboli @kanatossakamaki @RociVidalColon @V0caloiD @Karutarororomiyarol @lexicdm @rol_player @rol_player @SD_Nao @Bumble03 @sophiahapgood @Vandalfamily @ShokuMakier @saavedracervantino @SeeU_09 @Katetsutiger
@creepypasta_ask
@DantehijomayordeSparda
@PeterParkerMarvel @PromiseRoseUtena @LarnexUnivers
@team5d @Kawaiilovers42
@Slender_womanKiller @DamaraMegidoQueen
@TheShooterHero @BowserBoxer

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[Si conociera a más, te los recomendaría y son muy amables, todos muy buenos y tienen muchos distintos estilos para hacer RolePlay ^^]

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[Con respecto a tu pregunta, estaba pensando en tener a todo el grupo empresarial de Villainous aparte de Demencia (BlackHat, 5.0.5 y Dr. Flug) pero la verdad, todavía no estoy convencida del todo, es porque como cree la cuenta únicamente porque Pudieran conocer a la loca más problemática y tierna de todas, es cierto que a veces Roleo con ellos pero es más o menos para tratar de dar a entender la relación de Demencia en su vida cotidiana, por eso es que los demás, no tienen una ficha y no quisiera que Demencia pasara todavía a segundo plano. Independientemente de la serie, si he pensado en tener otro personaje pero no por ahora, además, Demencia se las arregla muy bien para ayudarme con mis roles]

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The "anything original" bit is highly questionable. The plot is original, character traits like Heroic Frollo and Villainous Wilford are original proposals. An example of an unoriginal scene: Frollo and Gaston reenacting the Over Nine Thousand meme. An example of an original scene: one of the most powerful villains in the series, under command of the future Big Bad, crushing the skull of a young girl hero's best friend... right in front of her. The young girl attacks in a roaring act of revenge, throwing the villain off a window. Despite all that, the villain brutally murders the girl. While another girl who has friends with her watches, something the future Big Bad wanted to fuel his plans!

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About the "is a youtube poop" bit... Youtubepoop can be defined by:

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1. The techniques and procedures that make up its definition. Remixes of pre-existing media to create something new.
2. Impression of the audience.

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Number 1 is an argument to call TFS a YTP, as those techniques are used.

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Number 2 can be an argument not to call it as such. Youtubepoop projects give a collective impression that they use a certain collection of sources, with quick jokes and straightforward trolling being main things. The Frollo Show YTP Era (episodes 1-5) just uses Yume Nikki as a defying source, solves major things with jokes (EGG Blaster), and explains a major plot element in one hard to pause frame (Hitler survived the fall).
Later on the show further defies the certain collection of sources, jokes aren't the main thing to communicate, and the plot is not harder to understand because trolling.

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After our first campaign, in which everyone was a bastard to each other, we resolved to ensure that every character has reasons not to fuck anybody else over. We often do that by agreeing beforehand that we will run a good or bad party together, so we've got a team of heroic or villainous characters all striving together.

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At other times, as someone who trends toward villainous characters, I just don't fuck with the party much. I'll usually run lawful evil if the others are good characters, giving myself some codes and honorable ideals to keep me in line. In any case, it doesn't help me to screw over the people watching my back. Evil is often self-interested, and it's in my interests to protect the people I rely on, no matter their alignment.

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Playing evil of any stripe isn't about being a stereotype or simply being evil for evil's sake, which I think is the obvious and tempting path. I try and think about *why* my characters are evil, and how that evil manifests beyond the easy "let's just randomly kill people" mold.

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My current character, Visser the Warlock, is a former slave of a highly racist theocratic nation. He escaped and fell into the service of a great old one in the hopes he'll get to destablize the established world. His ultimate goal is to throw the world into war and discord, and so he's latched onto our hobgoblin characters in the hopes they'll become the terrifying warlords they're trying to be.

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Visser has his own motivations that are not in line with the party, but he needs the party to get anything done and he spends most of his time massaging the ego of our leader. It's a fun character to play as I get to be the Wormtongue-like character, more interested in manipulation than mindless murder.

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The problem with evil alignments is they're often taken to extremes, when really there are so many forms it could take.

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Yeah, it'd been there for 4 months. Uh, sorry about the delay, I didn't really know how to answer it until suddenly I did.

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She was extremely cool, & yes we got on extremely well. I was a lot younger then, early 20s, & was in a bad relationship. Unemployed & no HSC or qualifications to speak of, basically convinced I was going to be dead soon & the sooner the better.

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Centrelink got tired of my shit & so sent me to a rehabilitation service for ex-cons & the mentally ill. It really tells you everything you need to know about how Centrelink operates that they were willing to send me to a rehab service due to mental illness, but knocked-back my application for disability support. Anyway, they sent me there & assigned me to a young white woman named Rani.

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Rani didn't really know what to do with me, like everyone else at the time, but she recognised the skills. She told me to basically write down what I was thinking about stuff, so in an effort to deter her I actually did so. It's was 20 A4 pages long of stream-of-consciousness. No idea what I wrote about, but she took it & next time I saw her she'd written a bunch of sarcastic shit in the margins. tbh being made fun of was a refreshing change from being treated like some kind of half-mad invalid drop-kick, so I took her more seriously after that.

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She decided on account of being smart I should go to university, to which I distinctly remember laughing directly in her face. I was so convinced of my own general ineptitude & also the administrative impossibility of going to a university without completing high school I'd never seriously considered the option. My Dad has a PhD, but I'd never given particularly serious thought to that life, & if my parents had ever been interested in pressuring me to pursue it my years of fucking up had long ago silenced them. Rani just shrugged & said she'd get me in anyway.

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& to my absolute bewilderment, she did. I had to write a sad letter explaining my brief history of screw-ups & personal problems, which was no problem as I'd spent more than enough time thinking about that particular subject. She tossed in a few letters of recommendation, a testimonial of my improved mental stability from a psychologist I'd seen a few times, & that was that. Even my principal's letter of recommendation was in there, a form letter he'd given me saying not-much, which he gave me along with a smug assurance that I'd "never amount to shit in this world," which was such a cartoonishly villainous thing to say I smashed his trophy cabinet. No takesies-backsies, mfer. Still not sure how I got away with that.

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To my further shock, I was actually accepted. Unfortunately I discovered my acceptance letter in the mailbox on the way to confront my partner at work for cheating on me, which is the kind of dick move I probably wouldn't do now, but what a day that was. I left the rehab service, after leaving feedback saying Rani was "the best social worker in the entire country, probably the world."

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I'm not sure what this is in response to, but you've pretty much just described libertarianism, along with the general right-wing attitude towards economic policy and social programs. See the rhetoric surrounding "handouts" and whatnot. It's partially based in this whole "there are no poor, only temporary embarrassed millionaires" ideology the right wing promotes - it's based in a politically convenient but false idea of class mobility that convinces people the government contributing to programs like welfare or whatnot is stealing hard-earned tax money from them to donate to some villainous "other." That particular idea of individuality and personal destiny pretty much inherently requires denying the overwhelming power of larger social and economic forces, which informs right-wing attitudes on not just economic policy, but also issues of race, gender, and much else.

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Ooh, lots of little components to this question! We'll tackle them one at a time.

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NEPHRITE/NARU: It speaks to how bizarre Sailor Moon can be that it attempts to transition this relationship from "one-sided crush being exploited by the other side for villainous gain" into "something you're meant to legitimately care about" over the course of just an episode-and-a-half. What's even weirder, however, is that it *works*. Its economical use of that small time frame to make the interactions between Nephrite and Naru into something thematically and emotionally resonant is impressive as hell. I remember it being one of the first major telling signs to me on my first watch that this show was something uniquely special.

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ZOISITE/KUNZITE: As with the above, their's is a dynamic that adds detail and richness to characters who were indistinguishable blank slates in the source material. It isn't a terribly complex relationship by any means, but it's entertaining to behold and achieves its goals well-enough. Not to mention, for a show produced in Japan in 1992, it's laudable for there to have been such an openly homosexual male pairing that was treated this honestly and without derision.

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SENSHI/SHITENNOU: Ick. No. Not a fan. Two big reasons why.

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One is that it has seemingly no basis in the actual chemistry of the characters as presented in the text; it's rather telling that the "fan-accepted" pairings are based entirely on who killed who in the manga. The other is that it actively undercuts the central concept of said manga, the "miracle romance". Think about it: a pair of lovers whose bond is so strong it manages to endure over eons could be said to be "miraculous". But *five* pairings, all originating from the same time and place? What, then, is so special about love? It puts a bullet in the heart of the story Takeuchi was trying to tell.

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Unsurprisingly, Crystal not only manages to replicate these problems on-screen in its attempted "canonization" of the relationships, but makes them worse. Both the Senshi and the Shittenou have flatter personalities than ever, and no deviations are made from the manga's baseline story to accommodate them, so there's still no reason to care for their "romance". And yet, upon realizing that they were once lovers in the past, the Senshi are immediately *unable* to carry on their duties of protecting the Earth from the Shittenou, compelling Usagi to do their homework for them (a running theme in Crystal). Then in the next episode, the Senshi don't even *comment* on the Shittenou, and in the episode after that, the Shittenou die. The Senshi cry for a bit, move on, and never speak of the Shittenou again. Subplot over. The overall effect of the storytelling manages to feel simultaneously like a vestigial afterthought and an utter betrayal to series principles.

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If there's a less compelling "romantic" throughline in a story, anime or otherwise, I have yet to see it. It makes Attack of the Clones look like Casablanca.

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hmmm let it be Emma and Hook :)

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Best season :
S2-3 when they wasn't together and Hook was more badass. (I personally find him kinda boring since he fixed his villainous side to make him a love interest for Emma.) Now it bothers me little that he won't accept Emma as dark one and trying to fix her too hard , while she still has feelings for him , he said that he LOVED her so what now just stopped?idk what to think about it ...
their virtues & flaws :
They made each other better person , Killian was only vengeful man but he found peace with Emma and forget about his revenge , at the other side Emma is more open with him . The first time that Emma took off one of her layers was when she admitted to him that she was indeed in love once. The last layer we saw her taking off was admitting that she loves him.
why do you love them :
I basically started this show bc of them , I love their chemistry so much and how they care for each other .
I'm curious how Emma's choice will affect at them but I hope that Killian will not give up on her and they'll work somehow :)

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i thought the movie was a cinematic masterpiece. fincher is a genius obviously and his recreation of gillian's eerie writing was so perfect, i felt like she'd directed the movie herself.

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if you want some of my in depth thoughts on fincher's creative decisions (amy's expression during the first and final scene of the movie), i have this thing i wrote on tumblr a while ago when someone said that ""nick had created villainous amy"":

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"i disagree. amy dunne has always been psychotic. i mean she got a truck driver, who was a complete stranger, might i add, fired because she was a little ticked off for five minutes. she ruined her ex-best friend’s image at the drop of a coin. she had her ex-boyfriend framed for RAPE. she’s admitted that she’s never felt normal around her friends and family and that she tries on personalities like dresses. amy has always been psychotic. she just never lets it on.

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nick dunne did not change amy. amy was always psycho. nick dunne triggered amy’s extreme personality, her real one. in the beginning of the film, we see COOL AMY. FAKE AMY. FACADE AMY. amy whose every move and every visceral reaction is planned, has always been planned.

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at the end of gone girl, we finally get to see amy unleashed. because now everyone’s cards are on the table. now nick knows real amy. now she doesn’t have to pretend. she can give him that smile and know her reputation as COOL AMY will never be tarnished because nick and only nick will ever know who she really is.

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and i don’t think nick was ever in control, even in the beginning of their relationship. amy has always had the upper-hand. she sculpted herself into something irresistible to nick, pretended be COOL AMY for him their entire relationship. she has always been in control.

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we get that when she gives him her 'I’m it, baby' speech. amy has had nick wrapped around her finger from day one. she has been psychotic from day one. the difference between the first and last scene in the movie is nick’s perception of amy.

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first scene he sees COOL AMY.

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last scene he sees PSYCHOTIC AMY.

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nick did not create villainous amy. AMY created villainous amy."

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