@SamBellGuitar

Sam Bell

Do you consider yourself more of a composer or improviser?

Both really. Improvisation is incredibly important. It helps with composing. I love creating music and arranging it, but I also like improvising my solos and jamming with stuff. Its all interesting to me.
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Latest answers from Sam Bell

Do you ever find that the plastic clips on the Dimarzio cliplock straps can damage the finish of your guitar when you pack it in a bag or anything like that ?

Yeah they often chip the edges of my guitars.

Hey I've been going through the 1st creative guitar book and I'm up to the parts with modes and I'm stuck. I've learnt them before but now I can't remember how I got them to work. I think it's because I've played C major in it's boxes not starting on C. How did you learn modes and get them to stick?

Just went one mode at a time, jammed it over its relevant chord from the diatonic scale until I could hear the difference between the modes. Then they should start to become practical information . Then you can apply them in music, musically.

Have you ever played outside of the UK with mask of judas? You should try and get around Europe!

We hope to when the album comes out later this year. Its just finding the right bands to go out with who want to do it with us.

Did you ever get left had 'clumsiness' when you were building speed? If so what was something you practiced to get past it?

My hands are clumsy anyway, I just make sure I warm up slowly and that I am not trying to play something faster than I can feel/hear it.

What's the longest it's ever taken to learn a song and how did you learn it?

A couple of days. I just spent time on each section working on the tough bits slowly, making sure I could really get the time feel right whilst being relaxed...that's helped.

How do you think is the best way to get yourself into a pro function band?

Network, gig lots, and be humble/easy to work with/keep good timing/sociable. Make sure you can play for the tune with the best sounds/timing/delivery and band communication possible. Sometimes you can find agents who put you on a roster and then they put you in bands...its a tricky world...its often run by contracts that last only a certain amount of time. So its not consistent work unless you are good at finding more work and planning. However, there is no reason you can't start your own function band and start playing pubs etc and then get yourself up to wedding/conference standard etc this is worth doing anyway, its good money, its fun and it will give you an excuse to learn loads of songs which is transferable to any other function band.

Hey I've been working on a song that has a 2 note per string descending alternate picking part but I find to get up to speed I have to loosen the grip on my pick ultimately making everything quieter so I was wondering if you have had this problem too and how did you overcome it if so?

Don't worry about it. Volume will come with time. All the fast stuff needs to be lighter in touch, that's how speed works! The more you do it relaxed, the easier it will become to 'add' more volume in time. Its also important to note that many players who play these style runs use drive/compression (for clean stuff) in order to bring notes out. The light touch of the picking enables you to really change the tone of each note which gives the illusion of picking hard. Practice the run with light tough for a while, add different accents on different notes, give it a groove. Practising this will give you a bit more flexibility with that particular runs picking mechanics. I hope this helps shred warrior!

What is your favourite 8 string out of the two you have?

Blue Maple neck one was given to me from Ibanez Japan, it means a lot to me. And it looks and plays amazingly. However, my RG2228A is also exceptionally cool and has a different tonal character entirely which is useful.

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