@B0bduh

Bobduh

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But Bobduh all feminist do is whine and bitch about being victims when in reality the issue at hand can't be solved by twitter posts and articles decrying how mean male internet users are! That's like saying "murder is bad!Spread it around!" It doesn't do anything!

Are you... are you /intentionally/ offering me a flimsy strawman to skewer? You just want me to rant a little, right? Alright, we can do this.
Should I take the historical approach, talking about how that's a hilarious misread of everything feminists have accomplished over the years, covering everything from reproductive rights and equal pay to the fucking right to vote?
Should I take the modern cultural approach, perhaps starting with that incredibly misguided metaphor? Talk about how the reason these issues still come up is because THE JURY IS CLEARLY STILL OUT on how issues of representation and equal opportunities should be addressed in modern society, in sharp contrast to "murder is bad"? And about how these discussions actually /are/ changing the dialogue, and continuously forcing people engage with their own views?
Or should I go with the personal approach, where someone even bringing up these questions instantly prompts the counter-question... what do you expect me to do instead? Shut up about these issues, because they're apparently not worth talking about? Stop spoiling your fun by saying the media you enjoy might have more complex consequences than you'd like to think? Stop saying "I think these issues are fucked up and I stand with people who are made uncomfortable by them" because it's making people who /don't/ have problems with them feel uncomfortable, and maybe actually engage in a little needed self-reflection? Stop talking because it's /working too well/, and making people with shitty views feel too uncomfortable in too many public spaces, which they express through saying "gah, why won't you guys ever shut up about the ridiculous systemic injustices in modern society?! Talk about something else already!"
I dunno, strawman. You tell me.

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what importance do you place on understanding the cultural perspective of the artist (not the audience, which you already write about)? your evaluation of the araragi/hachikuji interaction as gross brought this question to mind, as their scenes are pretty much indefensible from a western standpoint

It's a critical, necessary perspective - just like the viewer's perspective colors their experience of the text and the critic's perspective colors their evaluation of it, the artist's perspective informs the world, default assumptions, and often underlying obsessions of the work. Some works are seemingly impossible to parse without a thorough understanding of the cultural circumstances that generated them, and all works benefit from one. That said...
Exploring the artist's perspective can be illuminating, but it can also kind of be a trap - making assumptions about what led the artist to create a given work is basically another form of textual interpretation, and no matter how much you can know about the author's own culture, experiences, or beliefs, these will never fully account for all the winding pathways that culminate in a finished artistic work. Basically it's the same trap as any other static philosophy of art criticism - it makes art seem more definable than it really is. But even if it's an imperfect system, it can certainly lead to many unique insights.
As far as the Araragi/Hachikuji thing goes, I don't tend to let an artist's background sway my own personal feelings about the text - I think that shit is a gross byproduct of a very warped subculture, and while knowing something of otaku culture gives that stuff a /context/, it doesn't make it any better for me. It just shifts it from "wow, that's some creepy shit," to "wow, that's some creepy shit that Isin included because he's partially a product of a subculture that has come to fetishize creepy shit."
And finally, I don't think this means everybody has to have a strong cultural grounding to critique or derive meaning from art. Obviously not - people can't help but find meaning in things, and a multiplicity of perspectives only enriches the possible experiences and insights a work can offer. No one perspective has the final word on a work's value.

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As a feminist, how do you feel about Touhou or other franchises that have primarily female characters but are targeted at a male audience? Assume for the sake of argument that there is no objectifying or male gaze stuff (this varies from work to work).

That "as a feminist" qualifier kinda makes me antsy - I'm just one dude, I can only speak for myself and my own opinions. I can't claim to speak as the voice of anyone but myself, and there are all kinds of feminists out there. So as long as that's clear...
I don't really have any problem with it. Not sure what the inherent problem would be, actually - dudes like girl characters, that's totally cool. I think there's this sort of inherent appeal to stuff like K-On where it lets guys feel included in a "secret world" of lighthearted engagement between girls, and I just find that interesting - I don't have any kind of problem with it.
The problems actually arise when this stuff /is/ used to indulge in various fantasies that promote ugly views and expectations - but in a perfect world, I'd figure most media would be able to appeal to most people, regardless of the gender slant of its cast. Good characters are good characters, and as I very often say, great characters use the strong specificity of their individual personalities and experiences (including their gender perspective) to reveal a universal humanity all of us can relate to.

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would you happen to know the target age group of uchouten kazoku? the inclusion of the ebisugawa twins and the casual portrayal of death (though this wasn't necessarily done for age appeal) seem to suggest the lower end of its pg13 rating

I'd guess it was aimed at being appealing to all ages, starting at late teens but probably with more appeal for people older than that, considering its subject matter and style of storytelling.
The Ebisugawa twins are just Japanese humor - I've learned to live with it, though I still find it aggravating, not funny. You'll find the same sort of stuff in Kurosawa movies - it's not an indicator of demographic, but of comedy being in large part a cultural construction.
As for the portrayal of death, not really sure what you're talking about. The inevitability of death, the way it colors our existence, and the necessity of learning to live without it defining us is one of the central themes of the work - I wouldn't call its treatment a "casual portrayal" in any way, shape, or form. I actually think Uchouten Kazoku is one of very few anime I've seen that deal with death in a truly thoughtful way.

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Do you like HBO stuff?

All I've seen is Game of Thrones, but I'm a huge fan of that. They are doing remarkable work with that series.

Would you mind expanding on your answer to "Also, do you think taste in music is more subjective than taste in narrative-centric art forms like books and movies" please? Couldn't "people respond to wholly different and often completely opposing things" be applied to stuff like anime as well? Thanks!

Yeah, you can - honestly, the biggest difference might just be that I personally don't find the resulting conversations as interesting. As my writing makes clear, I tend to prefer art as a vehicle for specific ideas than as its own reward, and narrative mediums offer more to dig into there (not that I haven't tried - I remember an essay in college where I compared the narrative, formal structure, and author context of The Meadowlands, 24 Hour Revenge Therapy, and Spiderland). If someone likes stories about families more than stories about adventures, that's interesting to me - if someone likes albums with crunchy guitars more than albums with synths, I don't find that nearly as interesting. One of music's greatest powers is that it can bypass words to evoke emotion directly - turns out I /really like/ words.

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Do you believe internet and it's anonymity is displaying a more real facet of society or a more extreme one?

Anonymity just empowers attitudes that are already there. Perhaps more important is the internet's ability to create echo chambers - places where your own specific attitude is given validation by like-minded people, and any dissenting opinions or contrasting perspectives are absent. Which is also reflective of the way society works in general, where we listen to news channels that cater only to the perspectives we already possess, read articles on sites designed by people who think like us, and associate with organizations that only confirm our own beliefs. All of this feeds on itself and creates a dangerous sense of self-importance and ignorance of the multiplicity of experience and perspective that then expresses itself as full-blown worldviews and political movements. And politicians are more than willing to play on this, conjuring a mystical "Other" who is always stealing the resources that should rightfully be yours because you "earned" them. It's all about your problems being unfair ones and everyone else's problems being invented or self-inflicted ones, and the only counter to that is A. realizing your perspective is deeply, deeply limited, and B. seeking out and actually listening to people who are not like you.

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Bobduh you're starting to sound like a tumblr social justice warrior? What's up with that?

Oh god, don't use that ridiculous phrase. Yeah, there are some people on the internet who feel they're being oppressed because no one will recognize they're secretly a dragon - but the vast majority of the times a phrase like that is used, it's by young men unable to look outside their own perspectives who want to dismiss real debate by belittling their opponents.
I'm a feminist - I believe in promoting equal treatment and opportunities for everybody. That's always been the case, and has always been strongly present in my writing - manchildren have been saying "LOL MALE GAZE LIKE THAT'S A REAL THING" to me basically ever since I started putting words on the internet. Which actually makes me super-lucky, because if I were a /woman/ talking about any of this stuff, I'd probably be getting constant threats of rape or murder. Because that's where our culture is at right now, horrifically enough.
Here's a post from a while ago that still gives me chills:
http://www.theverge.com/2013/9/12/4693710/the-end-of-kindness-weev-and-the-cult-of-the-angry-young-man
Here's one from friggin' /today/, because they come up /every day/:
http://www.doctornerdlove.com/2014/04/ending-sexual-harassment-geek-culture/

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Write a limerick love song for Hachiman from OreGairu. And a haiku for Benten.

There once was a boy with a head full
Of notions both naive and dreadful
We hope he will change
For if he stays so strange
He'll end up like those fucks on /r/redpill
The moon hangs so still
Drunk, I turn for a last toast
By then she is gone

During bakemono, monogata; did you paused all the word screens to read them?

Maybe not during Bake, because I wasn't really sold on the series then - it took until the third and fourth arcs for me to really start to appreciate what the series was doing. Definitely during Nise, Neko, and most of Season 2.
The problem is, though most of the text images are kinda redundant, some of them really do have interesting or relevant information. But in spite of that, I'd say skipping them is perfectly reasonable, mainly because one of Monogatari's central deals is attempting to convey the emotional state of the current POV character in a visceral way. The jump cuts, the visual abstraction - all of it is intended to help the viewer perceive the world in the way the active protagonist is perceiving it. Meaning those text cuts aren't things the protagonists carefully think to themselves - they're flashes of momentary thoughts, meant to just barely cross the character/audience's mind and maybe not even be fully understood before the next thing happens. Monogatari intentionally works very well as a "lived" active experience, and the text screens are a part of that.

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Hi! I'm young and uneducated and I'm wondering why men can't speak against generalities thingies aimed against em?

They can, but that's almost never what the conversation is actually about. If someone says "wow, it's pretty shitty how women are treated by all these psycho manchildren in nerd communities" and the response is "not all men are like that!", it kind of betrays a fundamental lack of perspective. The conversation isn't about all men being awful monsters - it's about an undeniably screwed-up cultural dialogue, and those counter-responses are generally made because lots of people have very self-focused perspectives and don't want to have that conversation.

Do you have read something of Gabriel García Marquez?

Just One Hundred Years of Solitude, which is one of my absolute favorite books. I'm planning on reading Autumn of the Patriarch soon.

If you had to swear your allegiance to a major House in Westeros, which one would it be and why?

If I were actually going to get a sweet position? Tyrell, I'd guess - they're not crazily ambitious beyond their means, but they are still smart and powerful. I'd much rather that than a house that seeks the throne and goes down in flames.

Black Bullet

Haven't seen it. I'll keep tabs on the buzz and maybe check it out later, but I'm watching a hell of a lot of shows this season already, and it doesn't really seem like my kind of thing.

Which essay/review are you working on next?

Sekai Seifuku, my last one for the winter season. I'll be posting it as soon as I'm back from vacation.

What are some good JRPGs in terms of writing?

Persona 3 and the Souls games are pretty solid - Persona 3's got anime-style but fairly punchy dialogue, and the Souls games have bad dialogue but smart incidental storytelling. Ni no Kuni also does pretty much read like a Ghibli movie. Other than that, I dunno - I haven't really had the time or inclination to attempt a big ol' JRPG in a while.

Do you read TVTropes?

I've gotten lost on it from time to time. I think the overall mentality is kind of reductive (like database culture, it seems to underplay why stories work in an overarching or emotional sense), but it's not like nobody who uses the site realizes that. It's certainly fun to channel surf through.
Liked by: Rose Bridges

What exactly does Witchcraft Works do right that many other magical girlfriend shows do wrong?

Witchcraft Works is by no means a great show, but it does do a couple specific things right, and pretty much none of them are related to the main characters. Its direction is great, for one thing - it's by the same guy who directed Girls und Panzer, and that guy REALLY KNOWS how to direct an action sequence. It also has both solid animation and a really nice visual palette. And it's also just really funny - not only are the tower witches pretty much always great, but it feels like the show itself knows its plot is pretty dumb, and seems to make fun of it all the time. It cuts from dramatic sequences to the tower witches being ridiculous, it fast-forwards through climactic action sequences, it veers the narrative in kinda random directions - a lot of modern anime have a large degree of self-awareness and self-mockery in their execution, but I feel like Witchcraft Works pulls it off in a way that really does strengthen the show. It knows when to take a sequence seriously and when to completely undercut it, and it has both the direction and comedy chops to hit either of those tones successfully.

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Do you have any plans for a Hunter x Hunter post?

Not at the moment, but maybe after Chimera Ant is done. I kinda said a lot of what I wanted to say about the arc in my episode 116 post, though.

In your opinion, which person is the most important when producing an anime?

For me personally, it's the writer or series composer - I can 100% forgive a show for being aesthetically bland if it's got a great script (see OreGairu). But that's because I'm me, and even beyond other key roles like directors and key animators (or seiyuus, or music composers, or _____), anime's generally a pretty collaborative process.

The funny part is he absolutely despises Kill la Kill. So that post confused me.

Yeah, that's odd. Not really sure where the hostility is coming from, then.

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