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Thaliarchus

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As someone who played Eve Online quite a bit how does playing Eve differ than an outsider's perception?

I haven't played Eve in a good few years, so everything I say here comes with that qualification. In particular I've no idea how the last few years' activation of a lot of toxicity which was apparently previously latent in gaming might have affected Eve.
The big one that I always say is: the game isn't just the betrayals, espionage & ruthless warfare which make the non-Eve news. Those aspects turn up in the headlines, understandably, but I don't think the game entirely deserves its reputation for unfettered libertarian wars of all against all. I was never betrayed or scammed during the years I played, & I don't think my experience was that uncommon. And the flipside of the game's permissiveness is that loyalty & friendship in Eve can be more tangible & meaningful. I was in a tight-knit, small corp with stringent entry requirements & a fairly strict, enforced code of honour, & it was a really good group. I met a lot of my corpmates repeatedly outside the game & eventually went on holiday with some of them. It's true that when I played there was at least one corp with an explicit Objectivist ethos, but it wasn't a powerful corp. In fact some of the most powerful groups had partial or total systems of common property & operated /internally/ along quasi-socialist lines, not for ideological reasons but cos that was quite effective. It's also worth noting that player-controlled space can be considerably calmer and more orderly than the theoretically neutral 'high security' starting areas—if, that is, you're onside with the players who control the space in question.
Another thing it took me a while to grasp—I dunno why they don't make more of this, because it could be a selling point—is just how shallow (in a positive way) but broad the character skill system is. There are certain specialised functions which have to be unlocked by training for months, but a lot of what I regard as the meat of the game is accessible with a few days' skill points. In a number of interesting fields (trading, certain kinds of PvP, command and strategy…) it really is the knowledge, experience & human skill of the player that matters, not the equipment & in-game skills of the character. I spent a lot of time hunting in low security in cheap ships, and if you understood the situations you needed to create in order to have max advantage, you really didn't need many in-game resources to knock out bigger ships & older characters.
None of this is to say that it's a game for everyone. It's a game for a particular bunch of people. But it's tremendously interesting—far more interesting to me than any other MMO game I've ever played.

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Are you an old fogey?

When it comes to anime (and only anime), you could accuse me of being a /young/ fogey, though I don't think that'd be entirely fair even if we restrict it to anime. And I certainly don't care for the politics or the fashion that go along with the 'young fogey' label.

Are the full G Gundam blurays subbed?

I'm not sure there's a formal batch out yet. I've been using a set of .srt files in a folder with the raws so MPC can read them.

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Is there an order to watch Harlock in or is easy to jump in anywhere?

I'm not a Harlock expert but my understanding is that the answer is somewhere between the two. The different bits definitely share connections among themselves, and with other Leiji Matsumoto manga/anime, but not in the relatively straightforward way that, say, most standard UC Gundam anime relate to each other. In Matsumoto material it seems to be hard to find the lines separating 'Oh, this is the same character', 'Oh, this is the same character but in a different continuity' and 'Oh, this is a different character closely modelled on another character's design and theme'.
My advice, and the approach I've been taking myself, is to plunge in while trying to be fairly relaxed about these connections. I can say that both the 1978 Space Pirate Captain Harlock TV anime and the 1982 Arcadia of My Youth film stand fine on their own and are workable introductions. Though note that they are—just as I was saying in my previous paragraph—introductions to sets of characters and designs which are in some ways different to each other. As I understand it, the 1982 'Endless Orbit SSX' TV anime was made as a direct sequel to Arcadia of My Youth. The 2002 'Endless Odyssey' OVA, which I recently enjoyed, is not, as far as I can tell, an exact sequel to any one thing, but does rely to some extent on your knowledge of Harlockian characters and concepts, so that would probably not be a good starting point…

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What do you want for Christmas?

I'm just reaching the age at which one begins to answer this question with lists of medical solutions which no one but the Almighty can offer.

Where did you find the HD subbed versions of G Gundam and Dangaioh?

I found them on Nyaa. Note that only the first half of G Gundam is available subbed in HD yet because the Japanese BD set for that only came out recently, and that the third episode of Dangaioh is an upscale from a much poorer source (apparently because the relevant materials were lost).

What is the cutest robot ever?

I was born for this question! Except that I can think of far too many candidates. Maybe the Scopedog?
Toei should hurry up and make an iteration of Precure in which the initially-evil one is a robot.
What is the cutest robot ever

how close can a prof get with their students before it becomes awkward?

I don't know if I'd think of this on a single axis of 'closeness'. Academics and students can become good friends: I think I had strong relationships with three or four of the people who taught me during my BA, and when the British style of PhD supervision works properly PhD students and their supervisors often wind up staying in touch for life. (The—gendered, I know—German word for a PhD supervisor is 'Doktorvater': 'doctor-father'...)
I think what's a bit inappropriate and awkward is when an academic interacts with any of their students /exactly as a fellow student would/. There's something insincere and off about lecturers pretending that they're 'just' peers. Now there is of course an aspect of collaboration in university teaching, and part of being very educated is knowing that you can't possibly know all there is to know even within your own field, and that students can (and will) outpace you in their knowledge of particular niches. And of course a simplistic top-down pedagogical model is bad news. But at the same time there is a real institutional power gap between a teaching academic and their own students and trying to gloss over that in a too-matey call-me-Dave way is a bit dangerous in my view. Better to be honest and acknowledge the different roles people occupy in the institution—within that framework there can still be healthy friendships, and that doesn't preclude interaction and collaboration in university societies, departmental social occasions &c.

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Have you ever smashed something out of anger?

Yes, one of my thumbs, accidentally, in the hinge jamb of a door when I was four years old. I don't remember what I was angry about.

At what point do you remember when you decided following anime seasonally wasn't for you?

Good question. But there wasn't really a point when I even started watching anime seasonally, I think.
I wandered accidentally into anime by watching DVDs from a commendably weird independent video rental shop (remember those?), and it was stuff like Martian Successor Nadesico which piqued my interest. Back then legal streaming in English didn't exist. A relatively narrow range of titles would get fansubbed reasonably quickly as they aired (speedsubs fast, better subs within a day or two) and more niche material might, if it found sympathetic translators, be more slowly released (for instance, Simoun, as I remember it, was verrry slowly fansubbed). If niche stuff didn't find sympathetic translators, it'd be ignored. Anyway, on top of that, I spent a bunch of time as an undergrad existing on a university internet connection which didn't allow torrenting, and faffing about with IRC bots or waiting for simpler direct download options could add more time delay. So at first I kind of fell into watching things which were finished already, while dabbling in airing material, often a week or two behind. Which is not unlike how I watch now, except I'm less prone to focussed marathons of individual shows nowadays than I was then.
Blogging was another factor. The anime blogging community in those years, which you might have seen @AJtheFourth discuss recently on Twitter, had a never-absolute but nevertheless real distinction between episode-by-episode coverage and a messy grab-bag of all other anime writing. I learned pretty rapidly that I didn't enjoy trying to cover things episodically, and in any case couldn't acquire and watch episodes fast enough to get any tangible attention boost from doing it. And I also began to form the impression that getting too wrapped up in whatever was Airing and Hot News harmed people's enjoyment in the long run.
A third factor is that, soon after I started my BA, I began to be more interested in genuinely old material so I stopped having any strong need for new anime to watch.
So I don't think I made a decision on it, it's more that I gradually became aware that my habits and tastes didn't fit the strictly seasonal 'shared event' model that drives a lot of online anime conversations.

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I like old school mecha anime but I'm not good with sad endings and shows with a lot of character death. Are there any shows that'd be a good fit for me I may not have heard of? I'm into exploration and mystery as well, if that helps. Real or super is fine.

I don't know what you have heard of, so I apologise if in what follows I'm just reading off a list of possibilities you've already dismissed. Other readers should be aware that I'm going to be implicitly giving away the tone of the ending of a bunch of shows, so don't read if that matters to you.
TV SHOWS
Da Garn: A Brave show, so not complicated, but very cheerful
Giant Gorg: has a strong mystery/exploration aspect; one bit's kind of unpleasant but it in general and its ending in particular are pretty light
Galient: my memory's a little dim (it's been a while since I watched it) but I remember Galient having a conclusive but not sad ending, and not trading in character death much. And it's an interesting piece.
Galactic Cyclone Braiger: not outstandingly good but very fun, in my view; lots of heists and other silly goings on; the ending has a mixed tone but character deaths are very limited IIRC
Infinite Ryvius: goes to some heavy places, but has a very cheerful, healing ending; if you can forgive its rather dated soundtrack and penchant for teen angst, I think it's an entertaining watch
OTHER MATERIAL
Metal Skin Panic MADOX-01: manages to stay comic and, from my memory, not kill anyone despite vast property damage
Genmu Senki Leda: only tangentially mecha (though the mecha action it does have is pretty great), but resolutely cheerful in tone
Z-MIND: loving tribute to old super robot material
Ariel Visual and Ariel Deluxe: a bit gnomic because they're essentially supplements to a novel series, but I enjoyed them; at one point there's an elbow rocket just like in Pacific Rim
Also if you've not seen it you could check out episode 35 of Smile Precure.
I hope at least something on this list is useful to you. There might be things I've forgotten, and it's hard to judge how obscure and how cheerful something needs to be to qualify...

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PAP your favorite monument of your city.

I'm not going to give away my location but here's a picture of the ruined, vertiginous Byzantine fortress-city of Mystras, which is a very nice monument in a place where I am not.
PAP your favorite monument of your city

What would be your action plan, if there were no more electricity in the world?

The same thing I plan to do in any apocalyptic scenario, my friend: die.

If you were in charge, who would be the next US president (any person)?

If we're going as fantastical as that, I'd rather impose a parliamentary system on the country and then let them get on with it. I wouldn't say it works well but I do think it works significantly better.

Continue with a rhyme: "I was sitting on a chair…"

Aparty of þa paynes sere,
Als yhe may sone aftirward here.
Bot first I wille shew whare es helle,
Als I haf herd som grete clerkes telle,
And sythen wille I shew yhow mare,
And speke of þe paynes þat er þare.
Som clerkes says, als þe buke bers witnes,
Þat helle even in myddes þe erthe es;
For alle erthe by skille may likend be
Til a rounde appel of a tre,
Þat even in myddes has a colke,
And swa it may be tille an egge yholke;
For als a dalk es even Imydward
Þe yholke of þe egge, when it es hard,
Ryght swa es helle pitte, als clerkes telles,
Ymyddes þe erthe and nourwhar elles.
And als þe yholk ymyddes þe egge lys,
And þe white obout on þe same wys,
Right swa es þe erthe, with-outen dout.
Ymyddes þe hevens þat gas obout.
Þus may men se by an egge hard dight,
How heven and erthe and helle standes right.

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How does go about watching VOTOMS? It seems there a quite a few series and OVAs. Is there a natural starting point?

The fifty-two episode 1983–84 TV series is the place to start, and also really the only essential bit. None of the many fiddly shorter additions are necessary for the original show's story, or anything like that, so you can explore them at leisure if you're interested but don't feel any obligation to do so. I still haven't watched every last one myself.
To list their roles briefly:
- The Last Red Shoulder is a short story set in the timeskip between the TV show's first and second arcs, and Big Battle is another short story set in a time between the TV show's climax and its epilogue, so those are worth tracking down if you just want some more AT fights.
- Roots of Ambition is a one-off prequel to the TV show which adds more detail to the hero's past, and Pailsen Files is a (much more recently-made) prequel set later than Roots of Ambition. I thought both of these were okay—Pailsen Files in particular has some spectacularly large-scale battle scenes—but I'm not sure I'd strongly recommend watching them.
- Shining Heresy (though its title has other translations, I think?), Alone Again and Phantom Arc, in that order, are sequels to the TV series. Though Shining Heresy had its moments, it felt to me like some unnecessary meddling with the TV show's perfectly fine ending. You might not feel that, I dunno! I'm afraid I either haven't seen or don't remember Alone Again and Phantom Arc.
Mellowlink is an entirely separate story in the same universe. It's so independent that you can watch it fine without having seen any Votoms material, and it's often treated as just its own thing. Similarly, Votoms Finder and Case;Irvine are one-off standalone stories in the same setting or one very like it.
So, basically, try watching the TV series. If you like it, and watch it all, you'll have seen the Main Thing and can explore the other bits at leisure if you really want to.

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Ya know what would be awesome? HD blu ray rips of dougram fang of the sun.

Sidharta Filoco
That would be awesome, yes! My memory is that it was pretty crudely produced sometimes, but it would be nice to see every detail. The existing files are pretty blurry DVD rips, I think? It's remarkable that it got fansubbed at all...
But are there blurays for Dougram? I have a feeling it's still only available on DVD in Japan, sadly.

What is the most exotic place you have been to?

In terms of being outlandish, perhaps Iceland—Reykjavik, which I've been to twice, is an odd city, and when you get up on the glaciers it's an unearthly environment. In terms of raw distance from home, a close tie between Thessaloniki and Los Angeles, which are roughly the same distance from the UK in opposite directions.
Maybe it's worth being a bit cagey about 'the exotic', though. It's worth thinking about how weird and strange we ourselves are, perhaps especially now that xenophobia seems to be the in thing. England is an odd country, with a beautifully silly majority language, in a strange and partly accidental larger nation-state. We give our children names which don't mean things in our own speech and the country's most common religions come from the Middle East and Asia. Every year our head of state is ceremonially refused entry to our most powerful legislative chamber for Reasons. If that doesn't sound out-there I don't know what does.

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You get to burning

Brilliant and mystifying both, a phrase matched only by 'Going your days'. How does one go one's days?

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